There are two big barriers for a Japanese painter. One is Fuji, and another is cherry blossom. Innumerable painters drew them so far. That is why there are a lot of masterpieces, and there are a lot of people who feel a hesitation for to paint. A feeling to avoid as an unmanageable motif resisted oneself at the start, but he watched the artwork, "the evening in the spring" of Hayami Gyoshu, and what affectation is impressed by the description of the obedient cherry tree which there is not, and Nakajima Chinami says that he strongly thought that he want to painting a cherry blossom. Then he devoted himself to a cherry blossom as if a dam had broken. The hot thought dwells in one piece of one flake of the petal.